Saturday, December 31, 2022

Creative Scenes: Podcast with Bored Ape Yacht Club founders


In my opionion, one of the most interesting Creative Scenes happening in the world today is these guys, the Bored Ape Yacht Club founders.  This is the first serious interview I've seen with these guys, other than this early documentary by The Defiant.  And just for the record, some of these founders were BMXers and skaters, into punk and hip hop, Miami locals back in the day.  They mention that in the documentary.  So they have a little action sports roots, as well, which is cool.   

You can talk smack about NFT's, Web 3, blockchain, DeFi, and the whole crypto world.  It's cool right now, most people are already on that bandwagon.  That whole world is getting trashed right now.  There were a lot of slimeballs, and just like the early internet, this crypto winter is shaking out a lot of the garbage in the crypto/blockchain/Web3 domain, which is healthy.  But in the middle of this interview, they go into a lot of the amazing ideas and potential of all these technologies for creative people and entrepreneurial people.  For all the lame stuff in the whole blockchain realm, there are also all kinds of amazing possibilities for creative people.  This interview gets deep into these.  

For those few of you who have read my idea of The Phoenix Great Depression, these guys, and people and other creative scenes like them, are the Phoenix part.  Big chunks of our world today is still run by people with and old, 20th century, Industrial Age mentalities and that's breaking down, bit by bit, industry by industry, and being replaced by Information Age versions or new industries altogether.  People and groups forging into new areas, technological, creative, and any other way, are building whatever form of society we evolve into, after the remaining parts of the Industrial Age die off, and we move closer to whatever the true Information Age, whatever that ends up being 10-15-20 years from now.  



Friday, December 30, 2022

Doing the impossible... Darryl Grogan pushing skateboarding BITD


Darryl Grogan's section from his own, mid-1990's video, Synopsis.  Check out the ollie impossible variations.  For any of you who don't skate, an ollie impossible is a trick where you pop the board off the ground, and then flip it end over end, and land back on it.  In the early 1980's just a couple of years after the ollie itself was invented on vert, and then on flat ground, everyone thought this trick was impossible.  Until Rodney Mullen started playing around with the idea, that is. 

This blog post was inspired by a video that popped up on my YouTube feed a few days ago.  For 3-4 years now, I've been blogging about this crazy long recession that I think is going to really shake up life for pretty much everyone.  The main wave of that recession is finally here.  I was tired of writing about what I saw happening in the coming months and years.  So, a couple months ago, I started a new blog called The Spot Finder, just to do something completely different, to get my mind away from economics and the future.  I started putting together blog posts about BMX and skate spots, since many are now legendary, and have their own stories to tell.  Doing that blog, I started getting a lot of really cool videos showing up on my YouTube feed.  One of those inspired this post.

This video, "The Best Impossible Ever Done" by Metro Skateboarding, shows his take on the five best skaters doing ollie impossibles.  I immediately knew there were a couple of things missing.  First of all, he didn't mention that Rodney Mullen invented the ollie inpossible way back in 1983.  Here's a clip of Rodney from 1983, the year he invented the ollie impossible.  While he doesn't do an impossible in this clip, there's a still photo of him doing an impossible at 1:58 in the clip.  To really put the the ollie impossible in perspective, Rodney had just invented the flat ground ollie, which became the single most foundational trick in street skating, in 1981, two years before the impossible.  Rodney went on to be one of the most influential, and talented, skateboarders of all time, as you can see here, and here.  

The other thing I noticed missing from that "Best Impossibles" video was Darryl Grogan.  Who? You may be asking.  I'm writing this post to tell you about an amazing skateboarder many of you, have never heard of.  In the late 1980's, I was a local BMX freestyler at the Huntington Beach Pier, sessioning there most every weekend with BMX freestylers Mike Sarrail, Randy Lawrence, and freestyle skaters Pierre Andre', Don Brown, Hans Lingren, Jeremy Ramey, and whatever BMXers or skaters wandered by on any given day.  One night, Mike and I were driving by Pay-n-Play, a place right by Huntington High School.  There were indoor raquet ball courts, and two smooth, well lit, basketball courts out front.  Both freestyle skaters and street skaters practiced there at night, sometimes, in the late 80's and 90's.  So Mike and I were driving by ,and we saw a freestyle skater with a headband, and thought it was German freestyle skater Per Welinder, so we went over to say "Hi".  It turned out to be another really talented freestyle skateboarder we'd never met, Darryl Grogan.  

Darryl came up in the late 1980's, and was giving Rodney a run for his money in the freestyle contests of the late 80's, until the freestyle contest scene ended.  So we met Darryl, talked ot him a bit, and went on our way.  This was probably in late 1988 or early 1989, I think.  Sometime later, Darryl showed up at the pier now and then, and I got to know him a bit better.  

Much later, one day when my bike was broke, I took my skateboard to the pier to skate.  While I was a hardcore, if mediocre, BMX freestyler, I hung out with skaters all the time, and skated  little bit, and knew a handful of freestyle tricks, like shove-its, some footwork, and stationary finger flips.  

Darryl Grogan was the only one there at the time.  Before long, Darryl was showing me the basics of how to do an ollie impossible, which he excelled at.  He told me to put my back foot right behind the trucks on the tail of the board, and turn my toes inward a bit.  Then he showed me how to jump, and do the scoop to get the board to flip end over end.  So I started trying that, and Darryl went back to practicing whatever he was working on.  A hour later, I was getting the flip part, and started trying to land ollie impossibles on the my  board.  I gave up seriously trying them soon after, but would try them every once in a while.  

About three or four years later, I did actually land 4 or 5 ollie impossibles on the flatbottom of our mini ramp at the P.O.W. House, in Westminster.  It took a while, but Darryl's tips helped me get that trick eventually, though I never landed them again after that one day.  For that reason, in my mind, I tied ollie impossibles to Darryl.

As a skater, Darryl was a super perfectionist, pretty typical among freestyle skaters.  He talked a lot about "body mechanics," getting his body position just right to do whichever insanely hard trick he was learning at the time.  Since I worked at Unreel Prductions, and had access to video equipment, he asked me to do a little promo video of him, to take to a contest in Europe.  So I went out, this would be in 1989, and shot video of him at his favorite spots.  Then he came down to Unreel a couple of times and I edited the clip on our "offline, S-VHS edit system.  It was simple cuts editing, but Darryl was fascinated by the video making process.  In the months after that, he would call me up once in a while and I'd go shoot some video of his later tricks and lines.  So I got to know Darryl better in 1990-1991.  At that time, he was one of the top few freestyle skaters in the world.  There was talk that he might finally be the guy to beat Rodney Mullen in a contest, which hadn't happened in 6 or 8 years at that point.  Then the recession happened, and they stopped having freestyle skating contests.  

While shooting footage, Darryl and I would talk about how we learned new tricks, me on bikes, him on his board.  For me, talking my head into believing I could actually land a trick was usually the mian issue.  For Darryl, body position, body mechanics, was the main issue.  He would talk about, "OK, I put my foot at a 45 degree angle, and my shoulder down at this angle, and..."  He would keep playing with body position until he got if figured out, and then he'd pull things that were ridiculously hard.  Back then, 1989-90-91, he was doing ollie impossibles to cross foot landings, and he'd STOMP them.  I remember one night, he was doing some impossible variation, and he kept landing in a nosewheelie... by accident.  Yeah, impossible to nosewheelie, by accident, in about 1990.  He didn't even realize he was doing it.  I told him, and he thought about it.  A couple weeks later he called me to go shoot some video, and told me he was doing impossibles to nosewheelies, on purpose.  His level of control was just freakin' insane.  

That year, Unreel got shut down, and I moved to the main Vision building to work, things were going downhill at Vision, and for skateboarding in general.  I quit Unreel that summer, and started doing freelance work.  At some point, Darryl and I headed off in our separate ways, and I didn't run into him for 3 or 4 years.  Then, in the mid 90's, I went into a skate shop for some bushings or something, and there was a video playing.  I asked who's video it was, then the guy at the shop said, Darryl Grogan's video.  I looked him up and got back in touch.  In the years when we'd been doing different things, I wound up working as a crew guy on TV shows in the summers, and Darryl went to film school and was becoming a real cinematographer, shooting actual film, not video.  He started doing skate videos, shooting on a film, which only a few people, mostly Stacy Peralta and Don Hoffman at Unreel, had done.  

With skateboarding, and the rise of street skating in the early 90's, Darryl had taken his freestyle tricks to a street board, and was doing some super technical combos and lines.  The video at the top of this post is one of those segments, as is this one.  There are a couple of Darryl's tricks that I think just should NOT be humanly possible.  One of those is the handstand with hands on the sides of the board, rolling forwards, to the hand flip out.  The other one is an ollie impossible to one foot landing.  If you ever want to go to the hosptial for a couple of weeks, try impossibles to one foot landings.  There are a dozen ways you could wreck yourself missing that trick.  Those are not possible.  But Darryl would stomp them.  

Once again, I wrote a big long post for one basic reason.  If you talk about the skaters doing the best ollie impossibles in the history of skateboarding, Darryl Grogan has to be on that list.  Now you know.  

If you want to learn ollie impossibles yourself, here's Daryl's how-to video, linked below.  After he gave me tips on doing impossibles, he went back to lining his back foot straight, not toes pointed inward, like initially told me.  Here are the links to four of his videos, all shot on film and produced by Darryl, in the 1990's.  If you're a 90's era skater, you'll recognize several of the skaters in his videos.  

Since those days, Darryl has gone on to make his living as a cinematographer, filmmaker, and Handi-cam operator.  Here's some of Darryl's film work from recent years.  There are a lot of action sports people who have found work in the TV world, Darryl's been doing high quality work, behind the scenes for over 20 years now.  


Synopsis (1995?)



Time Lapse (1998)

Yes, Darryl still wears the "fisherman's hat" as I used to call it.  It's just his style.



Wednesday, December 28, 2022

What separates Warren Buffet and Charlie Munger from everyone else...


Jim Cramer, probably the best known stock market personality, talks about the horrific drop of the major tech stocks in 2022.  He's right, they tanked, a whole lot of shareholders lost a combined $5.4 trillion in value this past year.  


Way back in the early 1990's, I thought becoming super rich was the key to living the life I wanted.  That life was doing as little as possible to make a living, make a ton of money, and then I could go ride my BMX bike all day.  I was 24 in 1990, and getting rich is on the minds of lots of 20-somethings, guys in particular.  Hell, Save Ferris even has a song about this mentality.  Anyhow, I started reading, and actually studying, the Forbes 400 magazine every year.  The basic idea was, "Hey, here's a single magazine with 3 or 4 paragraphs about the top 400 wealthiest people in the United States.  If I read this, I can learn what these people did right in the world of money, how they built their wealth, and what they're interested in as we head into the future.  So I did that.  Year after year, starting in 1990 or 1991, I think, I started studying that annual special issue, the Forbes 400.  

I could, and probably will someday, write a lot about what I learned from studying the Forbes 400 magazine, every year, over about 20 years.  But here's a few quick basics.  I learned that about 1/3 of the wealthiest people in the U.S. inherited their fortunes.  So being born into money is the best way to get super rich.  Ask the Walton family, and the Mars (candy) family, among others.  But that doesn't work for the rest of us, unless you marry one of those people.  (Paris Hilton is taken guys, sorry).  

The people who made huge fortunes, by and large, did it by building huge business empires, and then taking those huge businesses public, when they owned a huge chunk of the stock.  The value of their stock surges when it starts getting traded in the stock market, generally.  When I first read the Forbes 400, those main fortunes were much smaller than now, and many were big industrial companies like Levi Strauss, and Seagrams, that you'd never think of now.  The tech billionaire thing was just beginning then,  Steves Jobs and Wozniak from Apple, and Bill Gates and Paul Allen of Microsoft, were about the only tech wunderkids then.  

Another way several people became super rich was through real estate.  Even with the real estate crash of the early 1990's, a lot of the wealthiest people made a lot of their money through real estate then.  Donald Bren of the Irvine Company, here in Southern California, is a prime example from that era.

The biggest shocker to me, was that, of the 400 richest people in the U.S. then (1991-992ish), ONLY TWO people became super wealthy by investing in stocks.  Only TWO, out of 400.  Those were, of course, Warren Buffet, and his partner, Charlie Munger, of Bershire Hathaway.  Their main technique is called "value investing," which means buying large chunks of stock in really solid, well run businesses, usually ones that owned great brands (Coca-Cola, Dairy Queen, etc.).  They did lots of research, found the companies they thought were the best overall, and then they... waited.  They waited until the stocks in those companies dropped to a value they had already determined was a significant discount to the fundamental value of the business.  Warren Buffet was taught an old adage by his mentor, "Buy when there's blood in the streets."  When the world gets crazy, for whatever reasons, and investors turn their backs on solid companies, driving those stock prices down, that's when Warren and Charlie would buy big chunks of stock.  And then they held those stocks... forver, if possible.  They will sell at times, usually when a far better deal is happening, but it's rare.  But the only two guys who actually invested their way to top 400 fortunes did it with a buy and hold strategy.  Yes, there are also hedge funds and corporate raider types, that take over companies in hostile takeovers, and wind up with lots of stock.  But that's far different than simply picking stocks and investing.  Just of the record, I had one of these billionaires, Larry Ellison of Oracle, in my taxi once.  Ever have a 20 minute, one on one conversation with a multi-billionaire?  I have (He talked about his yacht, mostly, and it was 2003, he was only worth $9 billion then).

Now I'm a homeless guy, I have no money to invest, it's easy to dismiss this post.  I don't care.  I called the 2020 stock crash before it happened, and have made several other solid calls in the past 3-4 years, in this or other blogs.  I've also made bad calls, of course.  I'm not going to invest in stocks, even if I won the lottery tomorrow.  But if I was, it would mostly be the stocks Cramer is talking about in the segment above, except for Facebook.  I think they're in a long, slow downward spiral, but they'll still be around for years.  

If I WERE going to buy stocks to hold for the next 5 to 10 years, and not touch them for that whole time, it would be the stocks Cramer is telling people to avoid above,  I'd be buying them right now, or in the next month or so.  Apple, Google (Alphabet), Amazon, and Microsoft.  I'd throw in  Pinterest and Shopify stock as well, because I just like those businesses, and they're down big as well in 2022.  Then I'd just forget about them, and let them ride.  I wouldn't touch any other stock out there.  None of them.  Yes, there are plenty of stocks that will have big gains, at some point.  But I wouldn't bother looking for them.  I think crypto and other things are far more interesting in the coming years.  I'd just buy these stocks, forget about them, and hold them for at least 5 years.  That's my personal opinion.  This video above, that's as "blood in the streets" as it gets.  

That's my thought on the stock market, as 2022 skids to a close.  

Oh, by the way...  close to half of Berkshire Hathaway's stock holdings are of Apple, according to the most recents reports.  Berkshire stock, is up about 1.2% in 2022. The guys who have been buying andholding good stocks for 60 years or so.  Berkshire's stock is about even for 2022, about the same performance as gold this year, when so many stocks tanked.  Warren Buffet is 92 years old now, and Charlie Munger is 98.  I wonder what they're buying right now...

This is just my personal opinion, do your own due diligence, and consult any experts you think will help before making your own investment decisions.  And yes, this is another of my "told you so" posts that I will link to a year from now, or sometime in the future.  

Closing prices on those stocks and some other investments today, for reference when looking at this post later on- 12/28/2022

Apple- $126.04
Alphabet (Google)- $86.02
Amazon- $81.82
Microsoft- $234.53
Meta (Facebook)- $115.62
Nvidia-$140.36
Tesla- $112.71
Berkshire Hathaway- $459,800.00
Pinterest- $22.86
Shopify- $32.64
Gold- $1,809.60 (per troy ounce)
Silver- $23.71 (per troy ounce)
Bitcoin- $16,556 per Bitcoin
Ethereum- $1,193.67 per Ether
Dow Jones Industrial Average- 32,875.71
Nasdaq- 10,213.29
S&P 500- 3783.22

Bike industry slow down in 2023?


Too much inventory?  Slow down in demand?  How will the recession affect the bike industry (including BMX)?  Rob here give you his thoughts.

I'm way outside the actual bike industry, totally out of the loop on traditional industry insider news.  But I'm an amateur futurist, among other things, who's been blogging about a "the next Great Recession" since 2017 or early 2018.  I just geek out on economic and future trends.  Covid should have been the start of a LONG major recession, but The Fed (Federal Reserve), created $5 to $6 TRILLION dollars in 2020, and threw it at the economy.  Bailouts, "Quantitative Easing", super low interest rates, stimmy checks, PUA, PPP, and all sorts of other programs tossed loads of money at Wall Street, big banks ,businesses, city, state, and county governments, and most of us individuals.  Yep, even I got some.  We were all hood rich for about a year, when this current recession should have been happening.  All that money is why we have the current high inflation.  Big influxes of new money devalue a currency, and in 12 to 18 months, prices rise to adjust to the lower value of the currency.  Hey, the party was fun... while it lasted.  That's the nature of parties.  

But now The Fed (and other central banks around the world) is stuck.  They've been raising interest rates to fight the 40 year high inflation.  But that has caused a major drops in the inflated prices of stocks, crypto, and the downturn of the real estate market in many areas.  If they back off and create more new money, inflation takes off and goes even higher.  So they're driving us into a major recession, intentionally, to fight the inflation they caused by bailing us all out of the pandemic business shutdown crash.  So things are all out of whack, in nearly every business category, in nearly every investment category, in ost of the world.  Uh... bummer.  

The bike industry is small, pidly compared to the really big industries, like food, oil, chemicals, telecommunications, cars, and of course, high tech.  But it's still a decent sized industry, and employs (and sponsors) a lot of people.  It looks like we're in for a slowdown.  From my vantage point, this reminds me of heading into the early 1990's, which became a loooong recession/stagnant period.  BMX "died" in 1989.  Sponsors dropped nearly every freestyle team, except Haro and GT, as I recall.  

I know nothing of this youTube channel above, but Rob in the video makes a lot of sense, and does it in under 5 minutes.  If you ride, work in the industry, or are sponsored by anyone in the BMX, MTB, or other parts of the bike/action sports world, watch this video.  Then do some research with the industry people you deal with.  See how things are in your part of the industry, and if you need to make some changes in what you do.

I just found another video on this subject, recorded on Black Friday, November 25, 2022:


Here's a written article in Bicycle Retailer, by Rick Vosper, from October 2022- "2023 may be new, but it definitely ain't normal"  

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Tuesday, December 27, 2022

New and incredible Gary Young edit


Christmas is over and "Ho, ho, holy shit there's some crazy lines in this video."  Just watch it.  It's not like you're working at work this week, anyhow.  

Monday, December 26, 2022

I had a good solo Christmas


 One serious, and free, Christmas dinner.  Heck yeah!

While I am still homeless in the San Fernando Valley, I still managed to have a really cool Christmas.  I spent the morning working on the latest drawing, and then headed to a church that had a free Christmas meal.  Salad, turkey and stuffing, mashed potatoes, sweet potatoes, and homemade cranberry sauce, with pumpkin pie for dessert.  As a rule, I don't travel all over for free meals, because the homeless people who do usually spend all their time just doing that, and nothing else.  I call that the "Homeless Merry_Go_'Round.  They get free food, but never get much else accomplished.  I'm too focused on getting some creative work done every day.  

But there's one place that has a great weekly meal, plus holidays, that I recently started going to.  I got stuffed, so thanks to all the volunteers!  

They even gave everyone a packed stocking full of gifts, which I didn't expect, and they had a raffle for some gift cards as well.  So I had a great Christmas meal, then went to another spot, and did some more drawing for much of the afternoon.  Good day all around.  Hope all of you had a good day, and didn't get stuck in airports from all the crazy weather in much of the country.  


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Saturday, December 24, 2022

Merry Christmas 2022!


Just of found this Christmas BMX video from Mongoose, from a few years back.  Merry Christmas everyone!

Here are some of my picks for Christmas soundtrack ideas, while wrapping gifts, drinking eggnog, or hooking up with Mrs Santa's Sister:





And for any Jewish readers of my blog, here's my favorite Jewish Christmas song (that wasn't done by Adam Sandler)- 



And if you're a sarcastic weirdo like me, who grew up in a family where Christmas wasn't usually very merry, this link is for you.  (NSFW- or anywhere else)

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Wednesday, December 21, 2022

The 2022 Omnibus Bill- Just how much is $1.7 trillion dollars?


It's December 21, 2022.  Congress is trying to pass the $1.7 trillion Omnibus bill before leaving for their holiday vacation.  Above, David goes into a few of the things in the bill, how it will cause more inflation, and thoughts about it. Obviously, he doesn't really read the whole thing.  

$1,700,000,000,000
That's the number.

How much is $1.7 trillion?  Here's one way to try and put it in perspective, that I just figured out.  For $17.4 billion, the federal government could give every single one of the 580,000 homeless people in the U.S., $2,500 a month, to pay for housing, for a whole year.  $2,500 a month should be enough to rent some place to live, for one person, in pretty much any part of the country, even here in Los Angeles area.  That $17.4 billion would be 1.02% of the Omnibus bill, housing every single homeless person for a year, in a room or apartment they pick, and leaving almost 99% of the money for other purposes.  

$1.7 trillion is the same as giving $8,100 to every one of the 209 million adults in the U.S.  

I know... booooooooring!  

How' bout this?  The $1.7 trillion in the Omnibus bill could by a new, 2022, Dodge Challenger SRT Hellcat, for every single one of the 19 million men, women, and children in the entire state of New York. 


19 million all American mucle cars in one state.  Just a way to put this amount of money into perspective.  In 2018, 66,717 Dodge Challengers were sold, the peak year of sales for that model. 

To be clear, I'm not saying the Omnibus Bill should or shouldn't be passed.  I'm sure there's a lot in there that needs to be spent, and I'm also sure there's a whole bunch of "pork barrel" spending that doesn't really need to be spent.  My point in this post is just to try and put the huge amount, of $1.7 trillion U.S. dollars, into a frame of reference, so we get some idea just how much money that is.  Yes, it will help cause more inflation down the road, 12 to 18 months, on average, after the chunks of money are spent.  It won't increase inflation in the next few months, though.  It takes a while for large blocks of new money to work into the everyday economy, causing inflation. 

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I have a new blog called Adaptive Reuse SoCal, about finding new uses for old, unused, and abandoned buildings, as well as the economy, and commerical real estate in general.  Check it out!

Tuesday, December 20, 2022

Vicky Vickers, Deanna Caulkins, and Robin Logan- Skateboard Hall of Fame women with my drawings


  1970's era skateboard Hall of Fame women Vicky Vickers, Deanna Caulkins, and Robin Logan, with drawings I did for them.  This happened a while back, but I just found the photo, misfiled in my hard drive.

About 4 or 5 years ago, a friend of mine, who was also a friend of Robin Logan, had me do a drawing for Robin's birthday.  Robin is from the Logan family, that put out the Logan Earth Ski skateboards in the 1960's and 1970's, and they are still putting out boards.  Robin later had me do a couple of other drawings for her, including one for older brother Bruce.  She also had me do these two drawings from classic photos of Vicky Vickers and Deanna Caulkins, when they got inducted into the Skateboard Hall of of Fame.  I was stoked on this project, because these women were teenage girls, already top skaters, tearing it up on skateboards, back when I first got into skateboarding, during the 1970's boom.  It was just a really cool project for me to be a part of.  So that's Vicky, Deanna, and Robin above (L to R), the day she gave them the drawings.  

As I improved, and became a bit better known for my Sharpie Scribble Style, after I started seriously selling drawings in late 2015, I began to get a few special projects.  Yes, they're all cool, but I was asked to do 2 or 3 drawings for people's birthday's, a couple of memorial drawings for people's friends who had died, and then projects like this, for women who were defining skateboarding when I was a kid, just getting into it.  Those are the projects that have more weight, where I really wanted to do my best.  

Like any artist, I'm never 100% happy with any drawing I do.  There are screw-ups in every one, in most cases, that only I notice.  I shade in ink, and I very rarely use any whiteout to touch up.  So I have to blend in any tiny mistakes I make, or start the drawing all over if it's a big enough mistake.  The pressure is on, artistically, in every drawing.  But certain projects hold a bit more pressure.  

In any case, I just found this photo above, misfiled in a folder, and wanted to share it, since it's cool to see women that had a lot of influence in early action sports with my work on their walls.  Thank you Robin Logan for tapping me to do these two drawings.  


Video as we know it now didn't really exist in the 1970's, and there isn't a lot of film of individual skateboarders then.  But here's an intro piece of Deanna Caulkins from her induction into the Skateboarding Hall of Fame.  

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Saturday, December 17, 2022

I'm back.

 Laptop just wouldn't power up a couple of weeks ago.  Couldn't figure out why.  Tried the basic tricks the online tips videos showed, and they didn't work.  Couldn't access anything but Twitter ( @steveemig43 ) for 2 weeks.  Learned today that static electricity can cause this issue.  Maybe that was it, it's been pretty dry here at times.  Anyhow, battery drained naturally over time, recharged it today, and laptop powered back up.  I'm back, and will be up and blogging again soon.  

My page view counters aren't working on any blogs for some reason.  Dang.  43.


Tuesday, November 22, 2022

How long Have I been thinking about Creative Scenes?

This is an article about my Sharpie Scribble Style artwork, in the local Kernersville, NC newspaper, from October of 2016.  As you can see, the idea of Creative Scenes was already on my mind then, six years ago.

I was trying seveal different blogs at the time, this was about 8 months before I started this blog (Steve Emig: The White Bear).  In some of those blogs, I wrote about the concept of  Creative Scenes, and the role they play in innovation, art, action sports, and even economic development.  I even published a blog called How to Make Your Lame City Better.  Really.  

Being stuck in North Carolina for ten years, unable to find ANY "real" job the whole time, I did a lot of thinking.  One big theme was "What would it take for area to NOT SUCK?"  Creative Scenes, inspired by what I had experienced in BMX freestyle and creative jobs (Wizard Publications, the AFA, Vision, TV crews, Cirque du Soleil), and also by Richard Florida's 2002 book, The Rise of the Creative Class, was a big theme for me then.  Winston-Salem's Trade Street art scene actually grew, and was really cool when I left in 2018.  But there just weren't enough people buying art at any serious price to earn money from it.  You couldn't get past a hobby level, unless you sold a ton of art online.  I was selling more than most people, and I lived in a tent most of that time.  That meant a "real" job, and I couldn't get hired for anything there.  Except for about a year of driving a taxi while living in the cab, which was pointless.  

In any case, I've been thinking about Creative Scenes for a long time, and mentioned them to the reporter doing the interview.  
 

Monday, November 21, 2022

Creative Scenes: Simon Sinek on The Wright Brothers being the first to fly


Simon Sinek is probably best known for his book, Find Your Why.*  He's a huge proponent of finding the work in life that really gets your blood pumping, the work that gets you excited, day after day.  Here he is explaining that Orville and Wilbur Wright were underdogs when they made the first airplane flight.

In the last post, I explained my idea of what Creative Scenes are.  They are small groups of people working together towards creative goals.  It can be a group of people working towards separate goals, like a group of writers who all write their own books, but hang out together often, and bounce ideas and push each other to write and progress.  Or it can be a group of people, like Orville and Wilbur Wright, and their friends, who work together towards a common goal.  In this case, manned powered flight, creating a functional heavier than air aircraft.  

Samuel Pierpont Langley was older, had engineering credentials, and had both the Smithsionian Institution and the War Department backing him to create the first true airplane.  But the two bike shop owners from Dayton, Ohio, got their plane to fly first.  Simon Sinek makes the point that why people come together for a project can have a huge effect on whether or not something truly innovative comes out of it.  Great teams, with a common vision and drive, can often succeed where well funded, but less creatively motivated teams may not.  

Orville and Wilbur Wright, and the friends that helped them, were a small creative scene that kept working, failure after failure, until they finally were successful at flying their airplane in 1903.  They changed the course of history, and created the aviation industry that exploded with new innovations throughout the 20th century and beyond.  

*Not a paid link.





Saturday, November 19, 2022

Creative Scenes: Where progress comes from


To be fair, this little group is an outlier, one of the most influential creative scenes in human history.  They were much more influential than most Creative Scenes.  But that wasn't apparent in the beginning, which is the point.  The Homebrew Club, including it's best known members Steve Wozniak and Steve Jobs, created personal computers.  Wozniak and Jobs founded Apple Computers, now Apple, which brought us the Macintosh, iPods, and iPhones, among many other innovations.  A small group of creative people, a "creative scene," can have all kinds of effects, and even change the course of human history.

They were geeks when that was something everyone did not want to be.  But they found themselves fascinated by eletronics, and the emerging technology of computers.  Here's an interview from about 2004, with six early members of the 1975 Homebrew Club, in Menlo Park, California, including Steve Wozniak.  These six geeks from the 1970's, and the others from their scene, changed the lives of nearly every single on earth.  For real.  That's how major of an effect a small creative scene can potentially have.

What is a "Creative Scene?"  My definition of a Creative Scene is a group of two or more people, focused on advancing in some creative endeavor.  Two kids in the back of a 3rd grade class trying to draw better airplanes than each other is a Creative Scene.  A group of artists at a small indie gallery is a Creative Scene.  The kids and staff working on a high school yearbook is a creative scene.  A band, no matter how good or bad, is a creative scene.  The kids riding skateboards, BMX bikes, and yes, even scooters,* at a skatepark, is a creative scene.  Two women making Aunt Agnes' gooseberry jelly and selling it online, is a creative scene.  Travis Patrana and the Nitro Circus lunatics is a Creative Scene.  Todd McFarlane and the original posse that started Image Comics were a creative scene.  Three 9-year-old girls in the front yard making up dance moves, is a Creative Scene.  Amanda Palmer and whomever she's hanging out with at this moment, is a Creative Scene.  One time Old School BMX freestyler Chris Lashua and his Cirque Mechnic is a Creative Scene.  A blog or YouTube channel's creator(s) and their followers, are a creative scene.  CBGB's in the 1970's, and later, was a creative scene.  The group of Montreal street performers that created Cirque du Soleil, was a Creative Scene.  The people riding BMX and mountain bikes at Sheep Hills today, is a creative scene.  Gary Vaynerchuk and the people at VaynerMedia is a creative scene.  Tyler Perry's movie studio in Atlanta is a Creative Scene.  Yuga Labs, a hanfdul of artistic, former punk and hip hop influenced skateboarders and BMXers from Miami, that created the Bored Ape Yacht Club NFT's, and the Otherside metaverse, is a Creative Scene.  And yes, Steve Jobs and Steve Wozniak, in their garage, Woz's cubicle, and Steve's bedroom, in 1975, were a Creative Scene... on that birthed Apple.  You get the idea.  

We all have some idea what an art scene or a music scene is.  They are not only the artists or the bands, but the local gallery owners, the patrons who buy pieces of work or go see shows, the local arts organizations that plan the First Friday Art Walk, the local bars and clubs where bands play, and all the people playing roles who support these people and the scenes.  Those are the best known kind of Creative Scenes.  

There are scenes within scenes.  There are better and worse scenes.  Most Creative Scenes don't have any major influence, except to help people become more creative, and learn skills, either creative, ogranizational, or business-wise.  A healthy creative environment, let's say a thriving city's creative community, has dozens, maybe hundreds, of loosely interconnected scenes, with many types of people playing roles in multiple scenes, moving between scenes, and bouncing off of, and inspiring each other.  This type or creative environment separates a city like Austin, Texas from say Detroit, Michigan.  Both have creative scenes, Detroit has been huge force in music from Motown to rock n' roll to early electronic music.  But it's been devastated economically, and continues ot struggle as a city.  Austin is peaking as a Creative Scene city, and currently thriving financially as a major tech hub city, where economic and creative Detroit's heydays were decades ago.  But the cheap cost of living and post apocalyptic scenes of Detroit may set the seeds for more great Creative Scenes in the future.  Time will tell.  

This theme, Creative Scenes, is something I've been learning about since the 1980's, as a BMX freestyler, and ever since, through many creative projects, jobs, and experiences.  I even lived in an indie art gallery once, back in 2005-6.  That's where my Sharpie Scribble Style art technique was born.  

Right now, in late 2022, I believe we are on the cusp of some of the biggest changes in society in modern times, which will take place over several years.  Creative Scenes is where I'm going to focus my energy for the forseeable future.  I've got a lot to say on the subject, so it's time to get to work.  Buckle up, it's gonna be a crazy ride.  


*As an Old School BMX guy, I love to make fun of scooter riders.  And then R Willy came along...  Damn him.


Friday, November 18, 2022

Welcome to Dystopia: The Future is Now- My look forward into the Tumultuous 2020's


What will "the future" look like?  Here are Lori Petty and friend, from the intro of Tank Girl, which came out in 1995.  The movie is set in 2033, just over ten years from now.  I'd say we have about a 50/50 chance of this future, at this point.  Here's the trailer for the Tank Girl movie, just in case you somehow missed it.  This post is about the 20 chapter look at our future, that I wrote 2 1/2 to 3 years ago, called Welcome to Dystopia: The Future is Now.  I'm going back and reading it, chapter by chapter, to see how it's holding up.  Let's do it.  

As I wrote in the last post, I woke up one morning in October 2019, with this big idea for a writing project.  That project would bring out a whole bunch of nebulous, somewhat connected ideas, that were bouncing around my brain.  These ideas were based on three big theories that I had come across, 10 to 30 years earlier, and what I saw playing out in the real world, in the late 2000's and 2010's.  That project turned into Dystopia, as I now call it in shorthand.  

I started writing this group of ideas on paper, in late October 2019, before Covid-19 sprang up in China.  I was writing about a major period of economic chaos, 3 to 5 years long, likely more that I saw coming in our future.  By the time I finished writing the 20th chapter, in early June 2020, Covid had hit the U.S., and the rest of the world.  The stock markets had crashed, mandatory business closures and lockdowns were in effect, and 25 million people were laid off, working from home, or out of work for an unknown period of time.  

So... uh... yeah, I called the chaos part pretty well.  To be clear, I DID NOT see the pandemic coming.  But I expected some "black swan" event to lead us into economic chaos.  Covid became the first black swan.  Actually, because of the pandemic, things got way crazier, much faster than I thought they would.  When I finished writing Dystopia, in June 2020, we still thought the pandemic would probably be over by late summer 2020.  We still had no idea how bad things would get.  

As I'm writing this post, just before Thanksgiving 2022, I think we are now headed into the worst couple of years of this decade, 2023-2024.  The Fed stepped in and created about $6 trillion to help everyone through the pandemic, particularly the banking system and corporate America.  All that money kept the real, underlying economic issues from hitting bottom, and being dealt with.  Ultimately, that money caused our current inflation.  So now we're headed into the "real" recession, and it's going to get ugly.  Er.  Uglier.    

Welcome to Dystopia: The Future is Now (Book 1) is completely new ideas to most people, though the theories have been around quite a while, and it's a hard read for most.  But I still think I got the underlying Big Picture of why the 2020's will continue to be so crazy, pretty well explained.  If you read any of these chapters, let me know what you think on Facebook (Steve Emig- North Hollywood) or Twitter (@steveemig43).  Here  are links to the individual chapters:

Intro to the idea that several long term trends are converging, which will lead to a long, crazy, economic downturn, and much chaos, in the 2020's.  Also, because pretty much all of us were raised in "civilization" as opposed to some indigenous culture, we really don't understand the environment, and everyday destruction of the natural world is simply normal to us.  But ultimately, it's unsustainable in the long term.  In this way, we are "mutants" on Earth.

In the short chapter 2, I tell how I woke up with the idea to go back and watch a bunch of dystopian moive trailers from my childhood and teenage years.  I also discovered that I was writing this project in the exact setting and time, Los Angeles, November 2019, that the 1982 movie Blade Runner was set in.  I realized I was living in my high school self's future.  So I had a real world comparison, of the Blade Runner vision of Los Angeles in 2019, and the real thing, that I was living in.    

In the 1970's, it seemed like we would all have flying cars, like the ones used in Blade Runner, in the 21st century.  OK, technically, flying cars do exist, there have been many variations, going back 80 years.  But the cool movie type hover cars are not available.  The Moller Air Car, which never made it past a hovering prototype, is the closest real world version to that idea.  In addition, I link the 35 movie trailers I looked at, to gauge what 20 century writers thought "the future" would be like.  They were mostly wrong.  

Of all the great minds who wrote about "the future" in the 20 th century, it was an early 1960's cartoon that got more things right about the future, than all the novels and movies.  And yes, George Orwell was right in 1984 about the Big Brother state with surveillance everywhere.  But there was something, just as powerful, that Orwell didn't see coming.  

This chapter takes a look at the husband and wife futurist team of Alvin and Heidi Toffler.  Alvin wrote the books, though he mentions often in interviews that he and Heidi worked together thinking concepts through.  I write about his first major book, Future Shock, published in 1970, and The Third Wave, published in 1980.  Even three years after is 2016 death, much of what they forecast came true, and some is still playing out in today's world.  

Why do people watch weather reports?  We watch weather forecasts to get an idea of what is coming our way in a few hours, or maybe a few days.  By watching a weather report, we get an idea of whether we need ot take different action.  If we see rain in the forecast, we can take an umbrella or a raincoat when we go out, and maybe put boots on.  If it's going to snow in a couple of days, we know we need to get up early to shovel some snow, and warm up the car before going to work.  Reading books or watching videos by futurists is the same idea, their forecasts give you a look at what's coming.  Then you can make better decisions, taking their information into account, if it makes sense to you.  

In high school, I got into the brand new little sport of BMX freestyle.  Doing tricks on "little kid's bikes," that's how most people saw freestyle in 1984-85.  It was dumb, it wouldn't go anywhere.  That's what I was told.  Instead, I was drawn into what I later realized were "creative scenes," small groups of creatively driven people trying something new.  I spent my late teen years and 20's in a series of creative scenes.  This post explains the idea, and shows a 1986 video of several of us riding in San Francisco, and what some of that group went on to do in the years since.  

In the BMX freestyle world I first noticed scenes of riders here and there.  This led to my interest in Creative Scenes, and how ideas and movements spread through society.  In addition to that, my high school economics class, the SoCal real estate market of the late 1980's, and a book predicting a great depression, all fueled my interest in economics, social dynamics, how trends interplay with each other, and trying to figure out "The Future."  

Our real world in Los Angeles in November of 2019 was much different than this setting that director Ridley Scott predicted back in 1982 in the movie Bladerunner.  We don't have flying cars, the streamlined design buildings, or high caliber androids called replicants.  We do have 30,000 homeless people, 10 million people (not 120 million), the internet, smartphones, and the Kardashians.  Of all the TV shows and movies about the future in the 1950's, 1960's, 1970's, and early 1980's, The Jetsons cartoons from 1962-63 actually did a better job predicting the technology we have now.  I explain that there are three big theories that I think really help explain the world of the 2020's, and lead into the next chapter.  

In this chapter I introduce the first of the three big theories that I think help explain where we are in the course of history, and why the world seems so chaotic.  I go back to the late futurist Alvin Toffler, and his wife Heidi, who brainstormed as a team.  Alvin wrote the books explaining their ideas, and published The Third Wave, in 1980.  I explain the first two waves of civilization they saw, and the long periods of time it took for each wave of change to sweep over human society, when they happened.  The Third Wave is the transition from the Industrial Age to a new, Information Age.  Not only is this transition still happening, but it's happening far faster than the earlier waves of change happened.  I believe that understanding that this idea is still at work in our society helps people understand our chaotic current chaotic.  It really helps set the stage for why the 2020's, in particular, will see more change than any previous decade.  





Monday, November 14, 2022

The Third Anniversary of starting my book/blog thing: "Welcome to Dystopia: The Future is Now"

The home page of my 20 chapter "book/blog thing," as I call it, "Welcome to Dystopia: The Future is Now- Book 1"  The idea for this came in October of 2019, I began writing out ideas and doing research right after that.  I published "Dystopia," chapter by chapter, from late December, 2019 until early June 2020.  

"The word 'recession" is basically meaningless in today's ultra manipulated economic world.  I'm calling this decade 'The Phoenix Depression.'  Whatever the numbers and the economists' statistics end up being, this decade will feel like a full blown great depression to most people."
-Me (Steve Emig) Chapter 1 of "Dystopia"

 I've been writing and self-publishing my thoughts since I started a BMX freestyle zine, in September of 1985.  I have not written a single "real," physcially published, paper book, in the 37 years since.  But, I have self-published the equivalent of 20 to 25 average novels worth of writing, over 1.5 million words total.  These pieces have been in zines, a couple of dozen published magazine articles, tens months at a paid newsletter job, over 2,500 blog posts, and two e-books, counting Dystopia.  This is the most intense piece of writing I've ever done.  

Yesterday something reminded me of Dystopia, and I realized that it has now been three years since I got started writing it.  After thinking about how much crazy stuff has happened in the past three years, and how our whole world has changed so much since, I decided to go back and re-visit Dystopia, look at what I wrote, and how that compares to the past three years' events, and where things seem to be headed now.  I've been writing about BMX, skateboarding, and action sports for a couple of months straight, not writing at all about the future, economics, or societal trends.  The big crash I saw coming is the one we are heading into now, so I stopped writing about the future a couple of months ago.  Everyone and their brother is writing and reporting on the economic trands now.  It seemed time to quit and go on to something else.  Now, realizing the three year anniversary of starting Dystopia, it made sense to come back to this blog, Steve Emig: The White Bear, to look back at my prediction of a great depression-like scenario in the future.    

I have been blogging about worrisome future trends, like the the loss of millions of jobs to new technology, for example, for many years.  This post, the second post of this blog, from June 2017, is an example.  The ideas in Dystopia didn't come out of a vacuum.  They were a culmination, and an organizing of my thoughts, along with theories, trends, and my observations, from over 30 years.  

In the 2000's, and into the 2010's, theories I'd read about earlier, gained validity in my head, as actual events seemed to bear them out.  As the internet, smartphones, and a whole slew of other new technologies changed our everyday world,  a whole bunch of somewhat related ideas and concepts were bouncing around in my head.  These gained steam, and seemed to become more interconnected, as we neared the year 2020.  I had written blog posts, and journal entries, about bits and pieces of these ideas, but never sat down to really flesh them out and organize them.  For a whole bunch of reasons, a big one being that my 5 1/2 years as a taxi driver led me deeper into homelessness,  I didn't have time to really sit down and dig into these ideas.  For most of the last 20 years, my life has been day to day struggle to keep going, sometimes with a place to live, very often without.  With no stability in my personal life, sitting down for months to write a serious book just wasn't going to happen.  So all these ideas about where society and the economy were going, just kept building.  

Most of that thinking happened while I was living in North Carolina, and then homeless in Richmond, Virginia, from 2008 to 2019.  Since I never could find a single "real" job in NC, I spent a lot of time reading books, and watching videos by smart people, at the libraries.  I made it back to Southern California in the spring of 2019, with a friend's help, so I could use my blogging and social media skills, to promote his new online business.  That didn't pan out as we planned, and I once again found myself on the streets of Southern California.  September 2019 found me selling small Sharpie drawings I drew for food money on Hollywood Boulevard, to tourists and locals.  I spent my nights over the hill in the San Fernando Valley, which was a bit less crazy and generally less dangerous.

One morning, in the second or third week of October 2019, I woke up in a parking lot where I slept, with a huge idea, about 4:30 am.  The basic idea was to watch the movie trailers of all the main dystopic future movies from the 1960's through the 1990's, and see how close they came to predicting the actual "future" we were living in 2019.  Part of the idea was realizing that I was living in the "future,"  of my childhood and high school self.  I remembered reading Popular Science articles predicting flying cars, traveling ot the moon as a tourist, and other things we'd do "in the 21st century."  In 2019, it was 30-45 years after watching many of those dystopian future movies as a kid and a teen.  Did any of those movies accurately predict the real world in 2019, or parts of it?  Or did they miss the mark?  By seeing how our best novelists and movie writers and directors predicted the future, in decades past, I could get some idea of whether my thoughts about an economic depression, and a chaotic decade of massive amounts of change, might hit or miss the mark as we entered into the 2020's.  Starting from a look at how others had predicted the future in earlier decades, I would start putting my ideas down about where I saw us heading in 2020 and beyond.  

At the time, there were three big theories I believed in, two of which no one else paid any attention to. Those theories/concepts were; Alvin and Heidi Toffler's "Third Wave," P.R. Sarkar's "Law of Social Cycle," and Richard Florida's Creative Class concept.  Those three theories together, along with other mid and long term trends, all seemed to be converging, all heading towards major inflaction points in the early 2020's.  The convergence seemed to be setting up the early 2020's as a time of both serious economic chaos, and major societal change.  So the insight I woke up with was one of those ideas that pops into the head of writers, seemingly out of nowhere, and saying, "Get started on this... NOW!"  I'd had those ideas before.  I acted on some, and ignored others, years ago.  I've learned to follow those creative impulses over time.  So I did.  

I had a hand-me-down laptop, a decent one, though about three years old.  So I watched trailers of futuristic movies, starting with 1927's Metropolis, and moving forward, hitting classics like Planet of the Apes, Soylent Green, Mad Max, and Blade Runner, and continued until I got to The Hunger Games.  It was a really interesting exercise.  The big take was that our best sci-fi novelists, screenwriters and directors got most of "the future" wrong.  But they got parts of it, like telescreens making video phone calls, (Facetime, Zoom calls, Skype calls) right.  

With those insights fresh in my memory, I got a cheap notebook, which I could barely afford, and started writing.  I'd grab on to one big idea, and just write where it led me.  Morning after morning, eating a cheap breakfast at McDonald's, I wrote for an hour or more, getting pieces of all these interconnected ideas on paper.  After a couple of weeks, early November 2019, they started to form into a few main themes, more concrete ideas and less nebulous ponderings.  I had no idea what to do with these ideas, but just a strong urgency to keep writing and see where it took me.  

One particularly interesting thing was that when I watched the Blade  Runner trailer, for the original 1982 movie, I noticed a silent slate at the start.  "Los Angeles, November 2019."  I was just getting into this big writing project idea, I wasn't even really a fan of the Blade Runner movie, though my dad really liked it when it came out.  But there I was, writing about the future, sitting in The Valley, a handful of miles from downtown Los Angeles, in the exact month and year that Blade Runner movie was set.  I had stumbled on a perfect comparison.  How did Ridley Scott's sci-fi classic stack up against real life Los Angeles in November 2019.  Not well, actually.  Nobody gave a fuck about replicants.  There are no replicants, unless you count those $6,000 love dolls.  People in real world L.A. in November 2019 were polled by the L.A.Times about their biggest worry.  The winner?  Homeless people.  L.A. people were totally worried about all the homeless people (like me).  Ridley Scott did get the telescreen thing right, their conversations in the movie were similar to Facetime and Skype calls, just on walls, not phones.  

Heading into December 2019, I had a couple of notebooks worth of rough ideas about where the economy, and society in general, was heading in the next several years, in my opinion.  I saw a huge crash looming, leading to a Great Recession level, or greater, economic event, at least 3 to 5 turbulent years long, maybe more.  The prevailing wisdom on Wall Street at the time was that a minor recession might happen in 2020.  Maybe.  

My ideas sat on the back of three theories by otherthinkers and writers, Alvin Toffler's Third Wave concept from 1980, P.R. Sarkar's Law of Social Cycle, which no one had heard of (except economist Ravi Batra, who wrote about it in 1989), and the much better known, and largely accepted Creative Class concept by Richard Florida.  If I wanted to write a book about my thoughts, explaining why I thought those three theories really helped explain the future that would actually happen, it would take a year toresearch and write, and probably two or three more to try to get everything approved, and actually get a publisher, if I was exceptionally lucky.  

What I was writing about was going to happen much sooner than any "real," major publisher book could be published.  As I said, there was an urgency to this whole idea from that first morning I woke up with it in my head.  I thought, "Well, I'm a blogger, what if I just built a blog, laid it out ahead of time, so the chapters would be in correct order (not backwards, like posts in a blog), and then just filled them in as I wrote it?"  My tech skills suck, overall, but that was easy to do on Blogger.  On December 21, 2019, I built a blog for "Dystopia," organizing it as a book, so you could read one chapter, then scroll on to the next one, a blog version of an ebook, basically.  That's how I published it to the world.  

It's always been free to anyone, and has never had any advertising.  I haven't made a dime from it, directly or indirectly.  This was just something I felt needed to be written.  I saw a really chaotic period coming our way, lasting years, and I wanted to alert anyone I could.  I wanted to explain what I saw coming, and why I thought it was coming, and explain some of the events I thought would happen in this chaotic period.  Nobody agreed with me at the time.  Except Rich Dad, Poor Dad author Robert Kiyosaki, who had predicted a major economic downturn happening in 2017, way back in 2002, in Rich Dad's Prophesy.  He was about the only other person I knew of with thoughts of a big downturn ahead.  

When I build the blog, I thought I had maybe 10 or 11 chapters worth of material.  But I know how ideas can expand, or lead off to tangents, so I build a 20 chapter "book" blog, to give myself room to grow if needed.  The way I built it, I could easily delete chapters, but not add new ones.  I just had the chapter titles, and a random urban photo I had taken in Richmond, Virginia, as a placeholder for each chapter.  I wrote and edited Dystopia, chapter by chapter, from December 21st, 2019, to around June 8th, 2020.  

As we all know now, a lot happened in those 5 1/2 months, as I was writing it.  Our world changed dramatically, probably forever.  I wound up using those extra 9 or 10 chapters, filling up the full 20.  While I was writing, Covid-19 appeared in China, three months later, it made it to U.S. shores, and the completely inadequate initial response cost hundreds of thousands of American lives.  The shutdown crashed the stock market, led to the mass shutdowns, to 25 million people losing their jobs for a while, and everyone figuring out what to do while stuck at home.  

Well... almost everyone.  I wrote the first one or two chapters while homeless.  Then a friend in Orange County was able to let me stay in her spare bedroom for a couple of months, where I wrote 6 or 7 more chapters.  Then I went back out to the streets, and finished Dystopia, living as a homeless guy, outside, during the Covid shutdowns.  By the time I finished writing Welcome to Dystopia: The Future is Now, we were just figuring out that the pandemic would not "be over in 6 to 8 weeks," and it was going to last "a little while longer."  Over 25 million Americans were still out of work, others were mastering Zoom calls, learning how to work from home.  Us homeless people were, literally, left outside to die.  That sounds harsh, but it's true, and there were definitely some people hoping for a dramatic reduction in the homeless population from Covid.  Nearly all of the resources, businesses and public buildings, that we relied on, were closed.  But as it turned out, the virus didn't like the outdoors, and a relatively small percentage of homeless people died.  Only one I know did, and he had very serious health issues before the pandemic  

So that's a long look at how I wrote the most intense collection of ideas I've ever written, as well as some of the most prescient.  The Dystopia book/blog thing, as I call it, has had less than 3,000 total page views in three years.  That's less than I hoped for as time passed, but far more than I initially expected.  In the three years since I started writing Dystopia, over 1.1 million Americans died after contracting Covid-19, we have endured a 100 year pandemic, a textbook economic depression (10% drop in GDP), and a textbook economic recession (2 consecutive quarters of GDP contraction), and we're just beginning what I believe will be the hardest 2-3 years of this decade.   But enough has happened to verify that I was onto something, writing this when I did.  There was life before 2020, and life after 2020.  The jacked up part is that 2021 got crazier than 2020, and then 2022 came in, when we'd thought we'd seen it all, and inflation soared, stocks dropped, The Fed raised interest rates to combat inflation, that caused the insane real estate FOMO market to slow down, tip, and head down.  And now bond market liquidity and a looming "real" recession are on most people's minds.  Politically, most people thought all this chaos would lead to a huge wave of Republican victories in the mid-term elections, and that Red Wave fizzled, taking far fewer political seats over than expected.  Things are just weird everywhere you look.  

This is what I tried to warn people about, in blog posts over the last four years, and particularly in Dystopia.  We're in a really weird place in history.  My thoughts, based on three big theories of others, is still the best explanation I've seen for all this chaos.  But now, three years after I started writing Dystopia, my thoughts have some credibility.  I still think my Big Picture view can help people weather the rest of this crazy storm we all find ourselves in as a country, and a society.  

Thinking about it last night and today, while writing this post, I'm going to re-visit Dystopia, chapter by chapter, and see where I got things right, where I didn't, and give my thoughts on where things may go now, and into the next two or three years.  

If you're one of the six or so people who read this whole post, thank you.  I know this is tough reading for most people.  But hopefully it's worth it.  Here's the link if you want to check out any part of Dystopia.  Each chapter can be ready seperately, without losing much context.  





 

Saturday, November 5, 2022

This blog just hit 138,000 page views- Cool!

 I actually got threatened to get beaten half to death once unless I quit publishing this blog.  The blog had about 30,000 page views then.  I kept blogging, and I'm glad I did.  Thanks to everyone who has checked out a post or two or ten.  I've retired this blog twice, but it still gets checked out daily.  Thanks to a big surge yesterday, it clocked 138,000 page views, of the 450,000 across all my blogs.  Thank you.

Here's the new idea and blog I'm working on, check it out:

The Spot Finder 

BMX, skate, art, and other action sports spots and locations.  

Ken Park airing over the spine of Tony Hawk's mini ramp, in Fallbrook, CA, 1989.  That's me sitting on the rail watching.  I was Don Hoffman's assistant that day, and shot a little Super 8 footage of Ken for Barge at Will.  Tony wasn't there, he was doing a demo somewhere.  I was bummed, I wanted to meet him.  Still haven't done that.  But I had lunch with Frank Hawk, Tony's dad, and Don, sitting in the bed of Frank's truck, listening to them talk about the "old days" of skateboarding, which was the late 70's and early 80's, at that time.  One of those cool days of being a video guy for Unreel, Vision Skateboard's video company.  

Still from my footage of Mark Cernicky, aka "Cernicky of Death," also from Vision's Barge at Will video.  Brea halfpipe, 1989.  Mark Cenricky more recently.  Neither of these are in the blog yet, but they are a couple of the spots I visited as a camera guy, back in the day.  

Thursday, October 13, 2022

My NEW new blog- The Spot Finder


The Chain Bank was a lesser known, but serious skate spot in the 1990's.  In this video, pro skater Rob Dyrdek narrates as Tom Penny flat out shreds the place.  

When I left this blog, again, back in May of 2022, I started Steve Emig's Street Life, because that's been the theme of my life for quite some time.  Years after taxi driving died, I'm middle aged, fat, and homeless, but still pretty motivated to write and create.  I've managed to spend a long time homeless without alcohol and drugs, just not being able to find good paying work for years.  

Going back to my late teens, I'm an old, fat BMX freestyle and skateboard Has Been rider/industry guy, and want to start getting back in shape, and riding and skating again.  A couple of weeks ago, I had the idea for a new blog, which I call The Spot FinderIn this new blog, I'm telling the stories of well known BMX freestyle and skateboard spots, and eventually exploring and showing some new ones, as time goes on.  As freestyle and skateboarding evolved in the 1980's and 1990's, particularly street riding and street skating, obscure little places that we rode or skated started to become known.  Much to everyone's surprise, some of these spots gained worldwide fame.  From Baldy Pipe, and Pipeline Skatepark in the late 1970's, to Sheep Hills BMX jumps, and sets of stairs like El Toro or Hollywood  High these days, locations now have fame and stories.  

Action sports are always evolving, and as an old, out of shape blogger, trying to get my life back on track, this seemed like a good times to start blogging about spots in the BMX and skateboarding world, along with a few art and other sports spots.  So that's my new project, it's something I'm really stoked on, and like all my crazy ideas in the past, like publishing a freestyle zine in 1985 (landed me a magazine job), talking Scot Breithaupt into making the first BMX street riding TV show in 1989, producing my own BMX video in 1990, helping stuntman Johnny Airtime brainstorm a BMX stunt for TV in 1991, and then doing BMX memoir blogs starting in 2008, this may or may not turn into something bigger down the line.  Who knows?  It's fun now, and the idea is already evolving beyond the initial concept.  We'll see where it goes.  

So if you're a BMXer or skater, or even an artist, this blog may be worth checking out.  But that's what I'm up to now, in October 2022.  


#thespotfinder

Sunday, May 15, 2022

Steve Emig's Street Life- #SEstreetlife: a new personal blog

Look at things differently.  My perspective of a Jimi Hendrix mural in North Hollywood, CA.  2020.  #steveemigphotos, #SEstreetlife

Sometimes you can take life by the horns and force it where you want it to go for a while.  Sometimes life decides to kick your ass for a while, just to see what you're made of.  If you don't believe me, try to remember what you had planned on January 1st, 2020.  Your life's been a bit different the last couple of years, than you imagined, hasn't it.  For over 20 years now, life has been kicking my ass, with the help of a few douchebags here and there.  Things didn't go as I planned.  But then, things never go as we plan.  

I first became homeless, for an extended time, in late 1999, right after I started working as a taxi driver,  I got out of it a few months later.  But I've been in and out of homelessness, on and off the streets, at various levels. since then.  All together, I've lived about 15 years without an apartment.  I've lived in my taxi for 5 1/2 years, I've lived in a tent in the woods for 9-10 months, through intense Carolina thunderstorms, suffocating heat, and even snow and temperatures down to 12 degrees F.  I've slept outside in bushes, on loading docks, porches of abandoned buildings, at outdoor bus stations, and even an old slave cemetery.  

Homeless man with couch, Studio City, 2021.  #steveemigphotos, #SEstreetlife

Want some street cred?  I'll sell you a kilo.  I've got far more than I need.  I've dealt with all kinds of people, weather, animals, bugs, and a small rat snake that found its way into my tent.  Living on the streets, while Life itself pummeled me in one way and then another, molded me into someone different than I was 20, 30, or 40 years ago.  I survived a few things that should have killed me, nearly missing a head-on car crash at 55 mph, a horrific bout of cellulitis, and a suicide attempt 7 years ago, in North Carolina, where I took enough lithium to kill an elephant.  God, The Universe, or whatever you want to call it, gave me a bonus life.  I've focused on being much more creative since, and unapologetic about being creative.  Since then, I have sold over 100 original pieces of my Sharpie scribble style artwork.  I've written half of the 2,400 blog posts I've published in my life, since then, drawing in another 200,000 page views, across my blogs. 

As we began coming out of the Covid-19 period this spring, as we all struggle with inflation, and now head into a stock, crypto, and real estate collapse, and into a long recession, I pondered where to focus my creative efforts.  I've been writing about "the coming economic downturn" for 4 years now.  It's here.  

Two days ago, sitting at my sleeping spot, watching the first light of dawn, on Friday the 13th, I realized that life on the streets, in all its facets, has been the main theme of my life for over two decades.  At the same time, I saw this crazy period of economic crisis and massive change barreling down on all of us.  Then 2020 came along.  Then 2021.  Life has been pimp slapping damn near everyone for a couple of years.  But it's not over, there's a lot more change to come. 


Coyote in the early morning, about 60 feet away from where I was sleeping.  There are urban coyotes all over Southern California.  As a general rule, they leave people alone.  #steveemigphotos, #SEstreetlife.

I realized if was time to talk about what I've learned, dealing with the lessons of the streets, and coming into my own creative work.  We're all going to have to get more creative to survive, and thrive, in the next several years ahead.  So the idea for new personal blog popped into my head.  Steve Emig's Street Life, hashtag #SEstreetlife.  I'm leaving Steve Emig: The White Bear, with over 800 posts, and 135,000 page views, behind.  I'm starting fresh, with a new vibe, and more creative content.  #SEstreetlife is about building new lives in what I believe will be one of the most chaotic and crazy decades in history, The Tumultuous 2020's. 

In September of 2018, shortly after I landed randomly in Richmond, Virginia, I learned old BMX friend, and founder of FBM Bikes, Steve Crandall, lived there.  When we met up, he gave me some food, some coffee, and his old iPhone 5.  I've been snapping photos of things I see on the streets with that phone ever since.  These are a few of those photos.  Huge thanks to Steve for that phone.  It's been cool to document bits of the craziness of my life these last 3 1/2 years.  

You up for a crazy ride?  I hope so.  Follow the link over to Steve Emig's Street Life, and let's figure out how to make this world a cooler place.  Let's go create some shit.  

Rich kids with a little spray paint, a little creativity, and a hidden parking deck.  Is this real?  Or just some bullshit?  Time will tell.  #steveemigphotos, #SEstreetlife

I've given up on Steve Emig's Street Life blog, and back to using this blog as my personal blog.  But I have a new blog about side hustles, gig jobs, small businesses, and making a living in the recession.  Check it out:

 

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